Born and bred in Burnley, Lancashire. After recently researching my family tree, I discovered that I am Industrial Revolution stock through and through. All my ancestors were either weavers or coal miners. I'm not entirely sure where my artistic bent came from.
It was on a school trip to the National Art Gallery in London aged 12 that my obsession for 16th and 17th Century portraiture began. I stood transfixed in front of Jan van Eyck's 'Man in a Red Turban' and fell in love. Not so much with the intriguing, enigmatic looking man staring out at me, but with the mesmerising quality of the style. It still remains one of my favourite paintings to this day.
From a young age I was always drawing or making. I would draw on anything. The white card that came folded up in my grandad's shirts, the oval bit you took out of a tissue box to reveal the tissues, cardboard toilet roll inserts; I created whole families out of them! So I imagined I would eventually study fine art.
I did an art foundation course at Nelson & Colne College, Lancashire in ’84 to discover which art subject was for me. Strangely, this turned out to be Theatre. So at age 18, after being seduced by the theatre, I moved from Lancashire to Cardiff to study Theatre Design for 3 years at The Welsh College of Music and Drama. After graduating, I worked as a prop-maker and scenic artist for 10 years. But I returned to art after the antisocial hours and harsh chemicals took their toll. I'd almost forgotten what it was like to not smell of latex, paint or acetone or always have polystyrene, glue, expanding foam and plaster stuck to my hair and clothes. Not to mention the endless broken nails!
In the 90’s, I dabbled briefly in game development with a group of friends. Collectively we were ‘Hounds by the Basketful’ (we finally decided on this name after one or two pints of Guinness!). We created a video board game called ‘G.O.O.T’ (Get Out Of That!) and various card games.
I got stuck using pastels for a while, too scared to go near oil. In the late 90's I discovered (online) a collection of beautiful Mummy portraits from the 1st to 3rd Century Roman/Greek period called 'Fayum' portraits and I decided to experiment with oils to see if I could replicate the look. So I painted my friend Bryan in this Fayum style as a birthday present. I split the wood in places, sanded back some of the paint to expose the surface and stained the whole thing down to give the illusion of age. After this first attempt I was hooked. I haven't touched my pastels since. Here's what you find when you type Fayum Portraits into google.
I honed my oil skills (painted on wood panel) by painting Tudor and Flemish style portraits, Holbein being my number one obsession. I combined my love of art history and Theatrical prop-making background to produce work which I suppose could be described as a sort of Ancestral portrait meets Historical film prop. I like to think they wouldn't look out of place in a historic house or museum.
I also 'paint' digitally using Photoshop, but I have not, and never will, turn my back on oils! Although I do miss that tangible piece at the end of the project, Portraiture using Photoshop is an exhilarating and altogether enjoyable, creative process.
I plan to live in the Forest of Dean and keep pygmy goats, chickens, cats, and maybe 2 dogs. I will bake bread, grow vegetables and drive a Nissan Figaro. At the moment, I live in Cardiff with my cycling crazy partner and two mad as monkeys cats. Our home is full of weird and wonderful objects which I'm addicted to buying.
I love snow, walks in the country/forest, car boot sales, flea markets, museums, art galleries, playing with cats and painting. I collect skulls, freaky vintage toys, doll heads, Mexican Retablos, sleazy pulp novels and battered old portraits of strangers.
My ultimate dream (should I win the lottery, or a billionaire donates the funds) is to buy and restore a crumbling historic building on the English Heritage at risk register (Extwistle Hall in my home town Burnley perhaps). This project would also entail attempting to live off grid, incorporating as many renewable energy systems as possible. I would spend my days with a metal detector in the land surrounding it.
N.B. Should any billionaires wish to contact me so I can realise this dream, please don't hesitate to message through my contacts page.